JULIUS GABRIEL saxophone, electronics ||| JOAO PAIS FILIPE percussion
Paisiel is the enigmatic name given to this project consisting of the Portuguese drummer, percussionist and sonic sculptor João Pais Filipe and the German saxophonist Julius Gabriel. Based on an individual exploration of the sound and on the expressive possibilities of their instruments, the duo’s music seeks to join and systematize their influences, albeit without any obvious correspondences or affinities – resulting in textured and abstract melodies propelled by a mechanical and existential percussion that morphs into a kinetic trance. Heterodox and digressive musicians, moving freely between experimental music, jazz, rock and other new musical categories, João Pais Filipe and Julius Gabriel create radiographic music that inhabits somewhere between the reception and the emission of signal, like a cosmic telephone exchange.
PAISIEL (Tape, Lover&Lollypops 2018)
PAISIEL (Vinyl, Rocket Recordings, 2019)
"The brainchild of Portuguese drummer, percussionist and all round sonic sculptor Joao Pais Filipe, and saxophonist Julius Gabriel, Paisiel is very much a trip into the obscure free-form worlds laid open by Sun Ra and Miles Davis, but imbued with a sense of punk urgency more in line with early Hawkwind. Whilst there may be no motorik riffs, or space noises for that matter, within the music that unfolds here is a developing embrace of industrial space age sculpture, aligned with a sense of freedom in movement. Call it jazz, or call it space rock, the result is the same as you get hurled into a cavernous void." (Echoes and Dust)
"The album’s three tracks are dark sojourns through psychedelic jazz – wrestling with rhythms and running sax down the skin with the menace of a freshly sharpened knife. The pair coax one another constantly throughout the LP, challenging the other to make a step too far, to pierce the psychedelic barrier and scar the psyche beyond repair. On opener “Satellite” the drums pound in the brain with an anxious insistence – skittering in an endless tumult before the foreboding gnash of gongs makes it clear that something transcendental and otherworldly is afoot" (Raven Sings The Blues)
"A rhythmic plane between Africa, techno, krautrock, and minimalism.” (jazz.pt)